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Sex, Drugs, and Rock 'n' Roll: Vintage Music & Counterculture T-Shirt - Perfect for Concerts, Festivals and Retro Fashion Lovers
Sex, Drugs, and Rock 'n' Roll: Vintage Music & Counterculture T-Shirt - Perfect for Concerts, Festivals and Retro Fashion Lovers

Sex, Drugs, and Rock 'n' Roll: Vintage Music & Counterculture T-Shirt - Perfect for Concerts, Festivals and Retro Fashion Lovers" (注:根据跨境电商平台政策,某些敏感词可能需要调整或替换为更安全的表达方式)

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Description

Sex, Drugs, and Rock ‘n Roll: The American Counterculture of the 1960s offers a unique examination of the cultural flowering that enveloped the United States during that early postwar decade. Robert C. Cottrell provides an enthralling view of the counterculture, beginning with an examination of American bohemia, the Lyrical Left of the pre-WWII era, and the hipsters. He delves into the Beats, before analyzing the counterculture that emerged on both the East and West coasts, but soon cropped up in the American heartland as well. Cottrell delivers something of a collective biography, through an exploration of the antics of seminal countercultural figures Allen Ginsberg, Jack Kerouac, Timothy Leary, and Ken Kesey. Cottrell also presents fascinating chapters covering “the magic elixir of sex,” rock ‘n roll, the underground press, Haight-Ashbury, the literature that garnered the attention of many in the counterculture, Monterey Pop, the Summer of Love, the Death of Hippie, the March on the Pentagon, communes, Yippies, Weatherman, Woodstock, the Manson family, the women’s movement, and the decade’s legacies.

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Although the title “Sex, Drugs, and Rock ‘n’ Roll” might suggest to some that this book offers a nostalgia tour for aging baby boomers, its more serious purpose is accurately conveyed by the subtitle “The Rise of America’s 1960s Counterculture”. In a wide-ranging yet tightly woven narrative, Cottrell establishes the historical antecedents for much of what seemingly defined the counterculture of the 1960s – the hippies, drug use, communal living arrangements, and more; examines the literature of – and about – the era, including particularly the emergence of an alternative press; connects the music of the times to both political activism and disillusionment; and explores the idealism that drove much of what took place during the decade, while acknowledging the cynicism that in part underlay it.This book is especially notable for both its structure and its accessibility. Cottrell gives form to an apparently formless era by crafting a topical approach that somehow also proceeds chronologically through the decade. In addition, while his scholarly research is exhaustive, Cottrell’s writing is engaging and highly readable.Grace Slick (among others) is credited with observing, “If you remember the Sixties, you weren’t there.” Whether one experienced them first-hand or not, Cottrell’s book will certainly enlighten any reader about those tumultuous times and the counterculture that emerged during them.
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